Dozens of Naked Human Figures in the Square of a Timeless Imaginary City
Raucher’s sculptures are aluminum castings created using the lost wax technique. After the casting is completed, Raucher paints and even draws on them: skin, veins, hair and texture, as if they were portraits on canvas. The lack of eroticism conveys the artist’s mainly existential view of the models; this view connects this installation to the period  After the Second World War, when art developed an existential manifest, i.e. abstract art that isolates man from his material environment